logo
 Username:  Password:  
Remember me ( ?)

sir_quirky_k ([info]sir_quirky_k) wrote,
@ 2008-05-24 11:22:00

Previous Entry  Add to memories!  Tell a Friend!  Next Entry

On music, primarily vocal in nature
Thursday night: mostly better than Tuesday, although Bulgaria was probably the most intense sensory assault ever seen on British television. No warnings whatsoever on the night; I turned off both nights before voting started, so don't know if there was a warning for Bulgaria on Tuesday, but must presume not.

Tonight is the concert; my piece isn't in it but I can see why and am excited about the rest of it. Performing on the stage I've watched so many others perform on is pretty special. The lead soprano for my piece has a solo, she's singing a Leona Lewis album track (Footprints In The Sand), and from chatting to her this morning she is rather regretting that choice; it covers a range of F3-A5 (!!!) and although she's changed one line so it doesn't go quite as low, it's still awkward for her. Guess what? She's nervous, and she's now admitted she 'slightly' regrets her choice... I'm planning on doing a solo next time, and I will not make the same mistakes that she did...

(Deliberate choice of words, there; it is she that performed Beautiful Disaster in our last concert, and she possesses, as I do, a copy of the Breakaway sheet music.)

Much more like it; Answer. This is the new song I'm working on with Helen, and it suits my voice very well (after transposing down an octave, natch). My voice is rather suited to soft and low, this proves it, and the obvious leap upwards (from C4 to A4, as written; that line eventually reaches C5) is one that Helen thinks should be an opportunity for a register change. Would work better up a fourth (F4 to D5, or as I'd sing it, F3 to D4, the highest then being F4 - which I've sung 'normally' precisely twice, details of both in this blog...)

Incidentally; comedy comparison, after a quick peek in the city's music shop (yes, the only one in the city of a quarter of a million people, apart from those catering exclusively to guitarists and their ilk). The highest note in Wuthering Heights is F5. The highest note in Defying Gravity is F#5.

And another thought: sooner or later, the Lowe package for BBC News is going to have to be replaced. The precedent set - and it's one that was missing in the 'virtual studio' package, for it consisted of essentially rearranging the One and Six themes in the same mould as the Nine, and tweaking the Nine somewhat - is for one very simple theme (in this case, an electronic 60bpm metronome) and many variations. The NBC News package by John Williams is not dissimilar, though far more subtle. It would make some sense for a noted British composer to write the BBC's most important music package.

Hmmm. Andrew Lloyd-Webber to write the BBC News music?


(Post a new comment)


[info]daweaver
2008-05-26 02:19 pm UTC (link)
Sooner or later, the Lowe package for BBC News is going to have to be replaced. The precedent is for one very simple theme (in this case, an electronic 60bpm metronome) and many variations.

All very true, and an idea that's as old as British television - Salute to Thames includes the famous fanfare, 4-Score you know about.

British composer yes, Lloyd-Webber no, for there are people who need the work (and the royalties) far more.

(Reply to this)(Thread)


[info]sir_quirky_k
2008-05-27 12:12 pm UTC (link)
Very true. To be honest, this was half serious suggestion, half snarking at Lloyd-Webber's dependence upon recurring motifs.

At least be clever about it, like a certain other musical theatre composer in the colonies I could mention...

(Reply to this)(Parent)(Thread)


[info]gizensha
2008-06-14 01:36 am UTC (link)
Well, to be honest, don't most film and television composers go for recurring motifs? As do quite a few game composers. (I know I've often felt that if I were doing a classic style RPG I'd want to have one battle theme (for example) with different arangements for different environments, almost certainly using a primarially Glass Armonica arangement for any crystal caves or glass temples...

[Well. Ish. I've since decided that I'd want to do the insane concept of giving each character three battle themes (OK, Poor Health, KO'd) and have the battle theme be the current character's battle themes for their current health. I haven't yet met someone able to tell me if it's feasible to guarantee if all permutations of possible battle themes would sound good together if there were, say, three possibilities (1 through 3) for eight different characters (A through H), of which any four characters (and so four tunes) could be in battle at the same time, so tunes A1 B2 C1 and D3 could be playing, or H2, B3, F1 and E1, and maybe G1 and F2, but never A1 and A2 at the same time. If you see what I mean...]

(Reply to this)(Parent)


copyright IziBlog.Net © 2008 | View settings | Terms of service